WONDERMENT – a poetry anthology – Grand themes do have their place in literary works, but good poems are more often the result of carefully observed ‘spots of time’, to use Wordsworth’s term. Being attentive to these moments in our lives, moments when we see the wonder of God’s creation in the world around us, is an aptitude that gifted poets develop. They observe what many often miss, divine glory revealed in the small things of life. This collection contains many such poems.
Edited by Janette Fernando and Maree Silver
Poetica Christi Press, 2017
ISBN : 978-0-9941640-6-3
Reviewed by Ian Keast
“ I hope that…” “ We hope in…”
To possess and express hope is intrinsic to our being human. Our hope, whether as noun or verb, opens to broad and diverse landscape: sun-basking peaks to darkening valleys. We have hope in someone or something, be that in – relationship; an idea; a way of life; creation’s richness; a dream; a wish; an event; family; a place; a plan; the arts ; and so on…There is the ‘sure and certain’ hope of being in Christ through grace.
To be hope-full is to be marked by- anticipation; optimism; desire; expectation; aspiration…And, above all, a longing that whispers, (in C.S.Lewis’s words), that our real goal is elsewhere.
This Anthology contains poems that travel across this varying landscape. They are poems submitted to Poetica Christi’s Competition for 2016, Hope whispers. As in previous years, the winning poem, “ Eternity “ and the runner-up, “ Radicalised” , are included, as well as other entries. The Anthology not only contains the “ food “ for our travelling ; it looks good. The striking cover artwork by Nick Costello stirs the imagination; appropriate photographs are also part of the book’s layout.
Once again, PoeticaChristi Press and the Editors, Janette Fernando and Maree Silver, are to be congratulated in producing this fine Anthology. Here are different poems in style and subject, infused with hope. Many resonated with this reviewer, but if I had to choose one which embodies many of the varying aspects of hope – place, time, feeling, ambience, echoes, longing, and so on, it is, “ Carillon, Sydney University, “ ( Kate O’Neil ), and these lines, especially, … marking time/ until the hour/ when sudden bells/ ring out resurrection./ Listen, wake, rise,/ feel jubilation,/ feel alive./ Ring bells, ring./ Renew. Revive./This is music for the world… With a quietness and gentleness, this poem, ( as do all the poems ), draws you in, invites you to read…to listen…to look up…and reflect…
Poetica Christi Press 2017 Annual Poetry Competition – Wonderment
Judge’s Report by Peter Stiles (Dr.)
The poems entered in the competition this year were consistently of a good standard. Reading through them all was an enjoyable experience. They reflected the meaningful moments and thoughtful observations that a significant number of poets wanted to capture and share in a variety of poetic forms. Many of them encapsulated what poetry does best, that is ‘emotion recollected in tranquillity’, as Wordsworth put it in his Preface to Lyrical Ballads, in 1800. Poetry helps to shape the individual consciousness and serves to temper the frenzied superficiality of so much modern living. It is undoubtedly therapeutic. Good poetry emanates from stillness, even silence, and is attentive to detail in a way that other literary forms are not suited to or ignore. There are exceptions, of course, such as the Australian novelist and essayist, Tim Winton, who is a reflective and respectful observer of the natural world.
The best poems in the competition drew me into a moment of time, a slice of life, a particular experience that had deep meaning for the poet concerned. Some dealt with seemingly mundane situations, like standing at the kitchen sink and looking up at the sky. Others focussed on exotic themes, such as the mass migration of Monarch butterflies. Both types captured the wonderment that is possible for those who take time to be attentive. The world we share, as poets, is alive with enchantment, wonder and mystery. I first read The Orange Tree, by John Shaw Neilson, when I was a boy. In that poem this early Australian poet visualises the magic in the everyday so well.
Effectively capturing this richness, however, can be a challenge. Poets should read over their poems again and again to see if there is a better word, a more apposite phrase, some fresh and original ways to express an idea. Good poems usually have concentrated language, but read well rhythmically, with a lyrical quality that rings true to the ear of the reader. Preludes, by T. S. Eliot, is an excellent example; perfect in diction, perfect in cadence. It is a truly memorable poem. The best poems in the competition had this quality. They read well, and would be satisfying to the listener if read aloud.
I particularly liked the poems in the competition that had a clear sense of direction and were essentially transparent. Obscure and inscrutable poetry does not serve the cause of poetry. Some of the best poems had a delicacy and simplicity about them that was compelling. Less is usually best in poetry. Having said that, I also liked the poems that had a historical theme, and also those that had an inter-textual quality to them. Deep learning and wide reading are often captured in good poetry. Christian poets should restrain their desire to turn their poems in homilies. Gentle understatement is the best way to allow God’s grace to be felt through verse.
Finally, I passed over poems that obviously made no reference to the theme of wonderment. Strident poems with an aggressive or abrasive tone seemed to have little place in the context of this competition. Good poetry avoids the clamour and attention seeking purposes of some other forms of written expression, and relies on subtlety and nuanced language to reveal the truths about the everyday. Our lives are full of riches and wonderment, just waiting for the eye, ear and heart of the discerning poet.
The winner of the competition was ‘Flight of the Monarchs’, an excellent poem about the mass migration of Monarch butterflies to Sierra Chincua, Mexico. It captures this spectacular, exotic event in a succinct, compelling manner, the reader drawn into a journey that juxtaposes life and death, flight and breathtaking clusters of colour in the forest. It is a very suitable poem for the theme of wonderment. The runner up was ‘Ink’, a touching poem about the loss of a brother in World War One. This clever poem explores the impression that writing can have on our memory, our consciousness, using ink as a metaphor for blood. The hopelessness and waste of war is stressed throughout. Wonderment is subtly suggested in the enduring nature and profound legacy of the written word. Other poems that stood out were ‘Two-sided coin’, ‘The colour of music’, ‘Rayonnement’, ‘Sleeping in Sturt’s Stony Desert’, ‘Summer Peaches’, ‘Illumination’, and ‘Apollo 8’. All had a special quality that set them apart from the rest of the poems.
Peter Stiles (Dr.) 9 July 2017
JUDGE’S CHOICES – 2017 COMPETITION – Wonderment
Flight of the Monarchs – Avril Bradley
Ink – Gabrielle Rowe
Two-sided coin – Valerie Volk
The colour of music – Margaret Ferrell
Rayonnement – Gwendolyn Doumit
Sleeping in Sturt’s Stony Desert – Sue Grocke
Summer Peaches – Anne Cook
Illumination – Gabrielle Rowe
Apollo 8 – Nola Passmore
Supposing Him to be the Gardener (i ) Born Again – Jeff Guess
Suddenly singing – Ron Heard
Cathedral – Janice Williams
Black bathers – Vivien de Jong
The trip home – Tru S Dowling
Triduum – a canticle of love – Tru S Dowling
Driftwood – Stephen House
Three Haiku – a triptych of wonderment – Florence Lisner
Garden art – Dale Harcombe
The flight of geese – Anne Cook
Japanese menu – 2nd course – Janine Johnston
Sitting on a verandah at White Cliffs – Toni Brisland
St Luke’s, Toowoomba – Joan Ray
Cluster – Gabrielle Rowe
Low tide, Wynnum – Ron Heard