True North – Rosalyn Black


A walk with ghosts – Joan Ray


(poems listed in alphabetical order)

After the funeral – Valerie Volk

Between homes – Kerry Harte

Birth in a peace zone – Kerry Harte

Bonding – Joan Ray

Camino Primitivo – Christopher Ringrose

Celestial conjunction – Gwendolyn Doumit

Cloud formations – Cathy Altmann

Convalescence − Tru S Dowling`

Dune shadows – Mary Jones

Gumnut garden – Ellen Shelley

Inter-lude – Valerie Volk

Into freedom – Colleen Maranda

Melbourne September 2017 – Wendy Fleming

Moving on – Tru S Dowling

Numero uno – Melinda Kallasmae

Sanctuary – Veronica Lake

Seeing is believing – Ruth Richmond

Thirty Seconds with Vanessa Kershawi – Christopher Ringrose

Thynia – Cathy Altmann

Trans – Avril Bradley

Waiting – Rosalyn Black

Women like us – Cathy Altmann

Your song – Gavin Austin


Judging the Judge
Some years ago, I was invited to join with a group of two other judges to award the national poetry book award for a collection of poems to be announced at Writers’ Week in South Australia – with a very rich prize. There were about thirty books of poetry entered. I can’t recall any of the collections not being eligible for the shortlisting of six by all three judges. We met many times, argued, agreed, and finally went away to shortlist initially and then later to come up with an overall winner. There were no second prizes. The three shortlists were not identical. The three books chosen ultimately for the first prize were all different – although those same three books appeared in each shortlist.
I remember well that last meeting when we all agreed that all three collections were not only made up of excellent well-made poems but superb anthologies of those same poems. What we argued about until well after midnight was quite simply the emotional element. In other words how these poems touched our hearts and minds. One of the collections followed the theme of birth, another the natural world and the third a collection of contemporary prayers or meditations.
Harold Bloom the eminent American literary critic and Sterling Professor of Humanities at Yale University has commented in one of his many books ‘We read poems to find ourselves’. Any individual sitting on (invited) judgement on others poems must firstly determine that they are all well made and whether traditional or modern do not falter when it comes to the integral elements of poetry. For example, the poems should not contain prolix, sentimentality, mixed or ludicrous metaphors, etc.).
The poems chosen here are all well-made and some are superb. The winner and runner up were the latter but in addition, had a profound emotional impact on me.
Jeff Guess
June 2018

2018 Annual Poetry Competition – Interludes

2018 Competition Entry Form



Flight of the Monarchs – Avril Bradley


Ink – Gabrielle Rowe



Two-sided coin – Valerie Volk

The colour of music – Margaret Ferrell

Rayonnement – Gwendolyn Doumit

Sleeping in Sturt’s Stony Desert – Sue Grocke

Summer Peaches – Anne Cook

Illumination – Gabrielle Rowe

Apollo 8 – Nola Passmore


Supposing Him to be the Gardener (i ) Born Again – Jeff Guess

Suddenly singing – Ron Heard

Cathedral – Janice Williams

Black bathers – Vivien de Jong

The trip home – Tru S Dowling

Triduum – a canticle of love – Tru S Dowling

Driftwood – Stephen House

Three Haiku – a triptych of wonderment – Florence Lisner

Garden art – Dale Harcombe

The flight of geese – Anne Cook

Japanese menu – 2nd course – Janine Johnston

Sitting on a verandah at White Cliffs – Toni Brisland

St Luke’s, Toowoomba – Joan Ray

Cluster – Gabrielle Rowe

Low tide, Wynnum – Ron Heard

Poetica Christi Press

2017 Annual Poetry Competition – Wonderment

Judge’s Report         by Peter Stiles (Dr.)

 The poems entered in the competition this year were consistently of a good standard. Reading through them all was an enjoyable experience. They reflected the meaningful moments and thoughtful observations that a significant number of poets wanted to capture and share in a variety of poetic forms. Many of them encapsulated what poetry does best, that is ‘emotion recollected in tranquillity’, as Wordsworth put it in his Preface to Lyrical Ballads, in 1800. Poetry helps to shape the individual consciousness and serves to temper the frenzied superficiality of so much modern living. It is undoubtedly therapeutic. Good poetry emanates from stillness, even silence, and is attentive to detail in a way that other literary forms are not suited to or ignore. There are exceptions, of course, such as the Australian novelist and essayist, Tim Winton, who is a reflective and respectful observer of the natural world.

The best poems in the competition drew me into a moment of time, a slice of life, a particular experience that had deep meaning for the poet concerned. Some dealt with seemingly mundane situations, like standing at the kitchen sink and looking up at the sky. Others focussed on exotic themes, such as the mass migration of Monarch butterflies. Both types captured the wonderment that is possible for those who take time to be attentive. The world we share, as poets, is alive with enchantment, wonder and mystery. I first read The Orange Tree, by John Shaw Neilson, when I was a boy. In that poem this early Australian poet visualises the magic in the everyday so well.

Effectively capturing this richness, however, can be a challenge. Poets should read over their poems again and again to see if there is a better word, a more apposite phrase, some fresh and original ways to express an idea. Good poems usually have concentrated language, but read well rhythmically, with a lyrical quality that rings true to the ear of the reader. Preludes, by T. S. Eliot, is an excellent example; perfect in diction, perfect in cadence. It is a truly memorable poem. The best poems in the competition had this quality. They read well, and would be satisfying to the listener if read aloud.

I particularly liked the poems in the competition that had a clear sense of direction and were essentially transparent. Obscure and inscrutable poetry does not serve the cause of poetry. Some of the best poems had a delicacy and simplicity about them that was compelling. Less is usually best in poetry. Having said that, I also liked the poems that had a historical theme, and also those that had an inter-textual quality to them. Deep learning and wide reading are often captured in good poetry. Christian poets should restrain their desire to turn their poems in homilies. Gentle understatement is the best way to allow God’s grace to be felt through verse.

Finally, I passed over poems that obviously made no reference to the theme of wonderment. Strident poems with an aggressive or abrasive tone seemed to have little place in the context of this competition. Good poetry avoids the clamour and attention seeking purposes of some other forms of written expression, and relies on subtlety and nuanced language to reveal the truths about the everyday. Our lives are full of riches and wonderment, just waiting for the eye, ear and heart of the discerning poet.

The winner of the competition was ‘Flight of the Monarchs’, an excellent poem about the mass migration of Monarch butterflies to Sierra Chincua, Mexico. It captures this spectacular, exotic event in a succinct, compelling manner, the reader drawn into a journey that juxtaposes life and death, flight and breathtaking clusters of colour in the forest. It is a very suitable poem for the theme of wonderment. The runner up was ‘Ink’, a touching poem about the loss of a brother in World War One. This clever poem explores the impression that writing can have on our memory, our consciousness, using ink as a metaphor for blood. The hopelessness and waste of war is stressed throughout. Wonderment is subtly suggested in the enduring nature and profound legacy of the written word. Other poems that stood out were ‘Two-sided coin’, ‘The colour of music’, ‘Rayonnement’, ‘Sleeping in Sturt’s  Stony Desert’, ‘Summer Peaches’, ‘Illumination’, and ‘Apollo 8’. All had a special quality that set them apart from the rest of the poems.

Peter Stiles (Dr.)

9 July 2017

2017 Competition Entry Form

2016 comp – Judge’s Report – Poetica Christi Press Annual Poetry Competition

2016 comp – Judge’s choices

2016 Competition Entry Form

Winners of the 2015 Poetica Christi Press Poetry Competition – Imagine

First Prize

Avril Bradley
The view from a balcony in Noosa

Second Prize

Cameron Semmens
Upon holding a brand new person (womb-fresh and yawning)

Other poems selected by the judge to appear in the anthology – poets listed alphabetically:

Mazzy Adams

Avril Bradley
Things to do in the belly of a whale

Victoria Carnell
Ride with Chesterton

Joy Chellew

Jennifer Chrystie
If Dogs Were Horses

Tru S Dowling
Orange Rope Walk

John Egan
Ghosts and Dreams

Jeff Guess

Don Helmore

Gillian Hunt
Moon orchids

Gillian Hunt
Palestine Dreaming

Janine Johnston

Fiona McIlroy

Jane McMillan

Jan Price
Close Your Eyes

Paul Scully
Waltzing Croydon

Christina Spry
Champagne Cocktail

Peter Stiles
The Crabapple Tree

Ron Thomas

Ron Thomas
Warrandyte Thoughts

Rachel Timmins
Sun Dried Tomato

Valerie Volk
In dreams

Bron Williams